Through the broken prism of mortality, the book raises questions about morality, examines what constitutes an enemy, and eggs us on to reckon if the difference is, in fact, manufactured. The prose is dipped in guilt and remorse, presenting an unsanitised personal portrait of an event whose repercussions outlived its shelf life. The narrative style, in parts, reflects this mental unraveling, drawing the readers to an immersive style of storytelling. ALSO READ | David Diop wins International Booker Prize with WWI story
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